一篇感人的作文能够触动人心，留下深刻的印象与思考，同学们在写作文时，借助生动的对话，可以使人物形象更加鲜明，增强故事的代入感，下面是路路文书网小编为您分享的医学英语小作文模板7篇，感谢您的参阅。
医学英语小作文篇1
新学期开始，我们迎接了一位外教老师——“ruben”老师。他那粗粗的声音快速进入我的大脑记忆里，我们即将感受到正宗英语的魅力。
眼前这位身材魁梧的老师就是ruben老师，我抬头望去，尖尖的鼻子挺立在那严肃的脸上，一个红红的嘴巴正紧紧地抿起来，那明亮的眼睛正打量着我们，一副好奇的样子。“hi…， my name's qiu ruoran. what's your name？”我刚喘口气问到时，那紧闭的`嘴巴顿时打开，用那标准流利的一口英语回答着我：” hi, my name's ruben.“ 我的心里顿时产生了一种倾佩，上课时，ruben老师会以打响指的方式让我们集中注意力、用做手势的模样让我们大声读出来，在休息时，会教我们“口技”，让我们轻松快乐。采用与幽默的教学方式与我们沟通，采用大朋友的形式来与我们玩耍，利用中英搭配让我们感受英语的魅力，我们互帮互助，我们教老师说中文，老师教我们学习英文，让我们每人都能感受到当“小老师”的机会和骄傲。
在一节课上完后，我真正体会到和外教老师学习的乐趣。老师带给我了快乐，使我在不知不觉中获得知识；老师带给我方法，使我有效的学习；老师带给我学习的翅膀，使我在学习海洋里尽情飞翔。英语口语是和外国友人友好交流的第一步，是向对方表述自己思想、观点……交流工具。让我能懂得更多，学得更多。让我锻炼自己的胆量，勇敢地与对方交流，在知识的海洋里尽情畅游。和外教学英语，能让我大声用英语说出来。
医学英语小作文篇2
my station in university campus inch territory, breathes and feels a here freshness. the university life like this started.
the life four years time already the picture got down certainly has run the line, you along this path endless long journey, the university time will say regarding me will be fresh, the biography first time was far away the hometown, trod studies the road.
i to the university life am fuzzy, after investigates many times, everybody is two characters ----- is bored to the university life feeling, perhaps has that a reason! three years high school life is such intense stimulates.
recollected also a little is afraid, facing high school's intense sprint, diligently was admitted to a school dream of the university, everybody is the like this struggle, assaults the dream.
at the present, steps into the university campus, studies the life has had the bored feeling.
医学英语小作文篇3
my family lives in hsi-hu. there are four people in my family. they are my father, my mother, my sister and i. my father is tall and thin. he is a handsome man. he has big eyes. his hair is straight. he likes to watch tv and movies and read books. my mother works in an office. she cooks very well. she likes to read books, too. she is short and thin. my sister is a student. she is an independent girl. she is very graceful. i am a student, too. but i study in a junior high school. i go to school every weekend. i like to play dodge ball and listen to music very much. much. i like my family because each family member helps me a lot.
my family lives in taiwan, but my father doesn＇t. he lives in china. my family name is jian. i have one brother and one sister. my name is jeff. my brother＇s name is art. my sister＇s name is sophia. my father＇s name is jian zong-he and my mother＇s name is jenny. i like to watch tv and play pc games. my brother likes them, too. my father and my mother both like to watch tv. my brother and i are both junior high school students. my father is a businessman. my mother is a businesswoman. i like my family very much.
my family has seven people. they＇re my grandfather, grandmother, father, mother, my two younger brothers and me. my father is a businessman. he＇s busy working late everyday. my mother is a housewife. she cooks meals, washes clothes, and teaches us lessons everyday. my younger brother is a junior high school student, and we go to the same school. my grandparents help my parents look after my brother every day. we go to the movies every sunday. last sunday my father took my family to a movie theater. the movie was swordfish. the movie was good, so we had a very good time there. how＇s your family?
there are twelve people in my family. they are my grandfather, grandmother, father, mother, sister, two brothers, uncles aunts and me.
i＇m a junior high school student. i＇m fifteen years old. my father is forty years old. he＇s running a coffee shop in mainland china. my mother is a nurse. she takes care of patients in a hospital in taipei. my grandmother is housewife and my grandfather is a store keeper. one of my uncles is a detective. he is working in the national police administration in taipei. his major job is to catch criminals. my aunt is a marketing manager. she works for a trading company. my brother and sister are elementary school students. my little brother is a cute baby.
my family takes a trip together about every two weeks. i have a happy family. i love my family very much.
医学英语小作文篇4
there was a bit of a fuss at tate britain the other day. a woman was hurrying through the large room that houses lights going on and off in a gallery, martin creeds turner prize-shortlisted installation in which, yes, lights go on and off in a gallery. suddenly the womans necklace broke and the beads spilled over the floor. as we bent down to pick them up, one man said: perhaps this is part of the installation. another replied: surely that would make it performance art rather than an installation. or a happening, said a third.
these are confusing times for britains growing audience for visual art. even one of creeds friends recently contacted a newspaper diarist to say that he had visited three galleries at which creeds work was on show but had not managed to find the artworks. if he cant find them, what chance have we got?
more and more of londons gallery space is devoted to installations. london is no longer a city, but a vast art puzzle. net to creeds flashing room is mike nelsons installation consisting of an illusionistic labyrinth that seems to lead to a dusty tate storeroom. its the security guards i feel sorry for, stuck in a fau back room fielding tricky questions about the aesthetic merits of conceptual art simulacra and helping people with low blood sugar find the way out.
every london postcode has its installation artist. in sw6 luca vitoni has created a small wooden bo with grass on the ceiling and blue sky on the floor. visitors can enhance the eperience with free yoga sessions. in w2 the serpentine gallery has commissioned doug aitken to redesign its space as a sequence of dark, carpeted rooms with dramatic filmed images of icy landscapes, waterfalls and bored subway passengers miraculously swinging like gymnasts around a cross-like arrangement of four video screens. the gallery used to be stables, you know. not to be outdone, in se1 tate modern has a wonderful installation by juan munoz.
at the launch of this years turner prize show, a disgruntled painter suggested that the ice cream van that parks outside the tate should have been shortlisted. this is a particularly stupid idea. where would we get our ice creams from then?
what we need is the answer to three simple questions. what is installation art? why has it become so ubiquitous? and why is it so bloody irritating?
first question first. what are installations? installations, answers the thames and hudson dictionary of art and artists with misplaced self-confidence, only eist as long as they are installed. thanks for that. this presumably means that if the ice cream van man took the handbrake off his installation van no1, it wouldnt be an installation any more.
the dictionary continues more promisingly: installations are multi-media, multi-dimensional and multi-form works which are created temporarily for a particular space or site either outdoors or indoors, in a museum or gallery.
as a first stab at a definition, this isnt bad. it rules out paintings, sculptures, frescoes and other intuitively non-installational artworks. it also says that anything can be an installation so long as it has art status conferred on it (your flashing bulb is not art because it hasnt got the nod from the gallery, so dont bother writing a funny letter to the paper suggesting it is). the important question is not what is art? but when is art?
the only problem is that this definition also leaves out some very good installations. consider richard wilsons 20:50. it consists of a lake of sump oil that uncannily reflects the ceiling of the gallery. spectators penetrate this lake by walking along an enclosed jetty whose waist-high walls hold the oil at bay. this 1987 work was originally set up in matts gallery in east london, through whose windows one could see a bleak post-industrial landscape while standing on the jetty. the installation, awash in old engine oil, could thus be taken as a comment on thatcherite destruction of manufacturing industries. then something very interesting happened. thatchers ad man charles saatchi put 20:50 in his windowless gallery in west london, depriving it of its contet. but the thames and hudson definition does not allow that this 20:50 is an installation because it wasnt created for that space. this is silly: it would be better to say there were two installations - the one at matts and the other at the saatchi gallery.
or think about damien hirsts in and out of love. in this 1991 installation, butterfly cocoons were attached to large white canvases. heat from radiators below the cocoons encouraged them to hatch and flourish briefly. in a separate room, butterflies were embalmed on brightly coloured canvases, their wings weighed down by paint. the spectator needed to move around to appreciate the full impact of the work. unlike looking at paintings or sculptures, you often need to move through or around installations.
what these two eamples suggest to me is that we are barking up the wrong tree by trying to define installations. installations do not all share a set of essential characteristics. some will demand audience participation, some will be site-specific, some conceptual gags involving only a light bulb.
installations, then, are a big, confusing family. which brings us to the second question. why are there so many of them around at the moment? there have been installations since marcel duchamp put a urinal in a new york gallery in 1917 and called it art. this was the most resonant gesture in 20th century art, discrediting notions of taste, skill and craftsmanship, and suggesting that everyone could be an artist. futurists, dadaists and surrealists all made installations. in the 1960s, conceptualists, minimalists and quite possibly maimalists did too. why so many installations now? after all, two of this years four turner prize candidates are installation artists.
american critic hal foster thinks he knows why installations are everywhere in modern art. he reckons that the key transformation in western art since the 1960s has been a shift from what he calls a vertical conception to a horizontal one. before then, painters were interested in painting, eploring their medium to its limits. they were vertical. artists are now less interested in pushing a form as far as it will go, and more in using their work as a terrain on which to evoke feelings or provoke reactions.
many artists and critics treat conditions like desire or disease as sites for art, writes foster. true, photography, painting or sculpture can do the same, but installations have proved most fruitful - perhaps because with installations the formalist weight of the past doesnt bear down so heavily and the artist can more easily eplore what concerns them.
why are installations so bloody irritating, then? perhaps because in the many cases when craftsmanship is removed, art seems like the emperors new clothes. perhaps also because artists are frequently so bound up with the intellectual ramifications of the history of art and the cataclysm of isms, that those who are not steeped in them dont care or understand. but, ultimately, because being irritating need not be a bad thing for a work of art since at least it compels engagement from the viewer.
but irritation isnt the whole story. i dont necessarily understand or like all installation art, but i was moved by double bind, juan munozs huge work at tate modern. a false mezzanine floor in the turbine hall is full of holes, some real, some trompe loeil and a pair of lifts chillingly lit and going up and down, heading nowhere. to get the full impact, and to go beyond mere illusionism, you need to go downstairs and look up through the holes. there are grey men living in rooms between the floorboards, installations within this installation. its creepy and beautiful and strange, but you need to make an effort to get something out of it.
the same is true for martin creeds lights going on and off, though i didnt find it very illuminating. my work, says martin creed, is about 50% what i make of it and 50% what people make of it. meanings are made in peoples heads - i cant control them.
its nice of creed to share the burden of significance. but sadly for him, few of the spectators were making much of his show last week. his room was often deserted, but the rooms housing isaac juliens boring films and richard billinghams dull videos were packed. maybe creeds aim is to drive people away from installation art, or maybe he is just not understood. whatever. the lights were on, and sometimes off, but nobody was home.
医学英语小作文篇5
directions: for this part, you are allowed 30 minutes to write a composition on the topic frustration education should be strengthened among college students. you should write at least 120 words, and base your composition on the outline :
1)大学生应对挫折的能力差，学校应当加强挫折教育
2)开展挫折教育刻不容缓
frustration education should be strengthened among college students
college students should be guided correctly to face frustrations in life, which has been generally accepted. frustration is inevitable during our life, and frustration education should be carried out among colleges and universities. the truth of it is deep and profound.
many remarkable examples contribute to this argument. a case in point is that there are an increasing number of college students committing suicide each year when confronted with some kind of frustration. this is close to suggest that strengthening frustration education allows of no delay. for another example, it seems that successful people tend to be good at dealing with frustrations. moreover, most of the students are often annoyed and discouraged by frustrations instead of drawing lessons.
judging from the evidence offered, we might safely draw the conclusion that frustration education is essential to the college students. but what is worth noting is colleges should also provide psychological service for the students while giving frustration education. to conclude, college students should be guided in the right path when facing setbacks in life.
医学英语小作文篇6
模板:
in recent years, xx has caused a heated debate on . the factors for .first of all, .then, there comes a case that . moreover, . especially when .indeed, these unique points can be collected the remind people that .in this way, we should behave just like .
范文:
the impact of television
in recent years, with the development of science and technology, 80 percent of all homes in china have satellite tv, offering as many as 50 channels. it has caused a heated debate on . many parents are worried about the impact of so much television on children. the factors for .first of all, .then, there comes a case that . moreover, . especially when .indeed, these unique points can be connected to remind parents that .in this way, children will not be influenced too deeply.
医学英语小作文篇7
the world is enveloped in moonlight. a poetic feeling arises and softness pervades the atmosphere. at this time, a breeze of ten accompanies the silvery light of the moon and gives the world a peculiar appearance and the people a peculiar feeling. the air is suffused with a sweet scent, driving away the ugliness and squal or of the daytime, soothing the distressed and wretched souls. if
you sing a song, your voice will reach the clouds. if you read a poem, it will echo in the mountains and valleys far away. if you hum a lullaby, its rhythm will send the whole sleepless city to dreams.
